Cet album n'est pas certainement le premier de sa carrière, nous voulons rappeler d'albums comme
The Complete Poetical Works Of Percy Bysshe Shelley Volume 1.
Les 186 chansons qui composent l'album ce sont les suivantes:
Voici une petite liste de chansons que Percy Bysshe Shelley pourrait décider de chanter, y compris l'album dont chaque chanson est tirée:
- On Death
- Cancelled Passage
- To —. ‘Oh! There are Spirits of The Air'
- To Mary —
- Evening: Ponte Al Mare, Pisa
- The Boat On The Serchio
- Song
- Ginevra
- Fragment: Milton's Spirit
- Music
- The Fugitives
- The Indian Serenade
- To Harriet
- To The Lord Chancellor
- Scene From ‘Tasso'
- To William Shelley II
- Fragment: To The People Of England
- Sonnet: Political Greatness
- A Fragment: To Music
- Fragment: Love The Universe To-Day
- Fragment: Love's Tender Atmosphere
- Hymn To Intellectual Beauty
- Fragment: ‘Such Hope, As Is The Sick Despair Of Good'
- Passage Of The Apennines
- Lines Written During The Castlereagh Administration
- ‘O That A Chariot Of Cloud Were Mine'
- To A Skylark
- Fragment: The Lady Of The South
- The Aziola
- Ozymandias
- A Summer Evening Churchyard
- On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
- Fragment: The Lake's Margin
- Sonnet To Byron
- Fragment: ‘Great Spirit'
- Fragment: The Deserts Of Dim Sleep
- Fragment: ‘Ye Gentle Visitations Of Calm Thought'
- Stanzas.—April, 1814
- Fragment: Satan Broken Loose
- The Sensitive Plant Part II
- To Constantia, Singing
- The Sunset
- Ode To Naples (Antistrophe 1b)
- Ode To Naples (Epode 1a)
- Sonnet (Lift not the painted veil...)
- Fragment: ‘Follow To The Deep Wood's Weeds'
- Stanzas Written In Dejection, Near Naples
- An Allegory
- Fragment: To The Moon
- Fragment: ‘I Stood Upon A Heaven-Cleaving Turret'
- Fragment: Sufficient Unto The Day
- Fiordispina
- The Sensitive Plant Part III
- The Waning Moon
- Good-Night
- Fragment: ‘Alas! This Is Not What I Thought Life Was'
- Lines: ‘When The Lamp Is Shattered'
- Ode To Naples (Strophe 2)
- Lines Written Among The Euganean Hills
- Epitaph
- Orpheus
- Fragment Of A Satire On Satire
- Arethusa
- With A Guitar, To Jane
- Time
- Fragment: The False Laurel And The True
- The Magnetic Lady To Her Patient
- A Lament
- Fragment: Life Rounded With Sleep
- To Jane: The Invitation
- Remembrance
- Fragment: A Serpent-Face
- Lines: ‘We Meet Not As We Parted'
- Fragment: Zephyrus The Awakener
- Fragment: ‘Unrisen Splendour Of The Brightest Sun'
- Dirge For The Year
- Fragment: ‘I Would Not Be A King'
- Fragments Supposed To Be Parts Of Otho
- Song Of Proserpine While Gathering Flowers On The Plain Of Enna
- Time Long Past
- Fragment: Rain
- Marianne's Dream
- Buona Notte
- Fragment: Thoughts Come And Go In Solitude
- Fragment: ‘I Faint, I Perish With My Love!'
- Fragment: Death In Life
- Fragment: A Wanderer
- On A Faded Violet
- To Constantia
- Fragment: “Igniculus Desiderii'
- Ode To Naples (Antistrophe 1a)
- Fragment: To Byron
- The Two Spirits: An Allegory
- The World's Wanderers
- Fragment: To The Mind Of Man
- Ode To Naples (Antistrophe 2b)
- Fragment: ‘And That I Walk Thus Proudly Crowned'
- Fragment: To A Friend Released From Prison
- To Mary Shelley
- Hymn Of Pan
- Ode To Naples (Antistrophe 2a)
- Love's Philosophy
- From The Arabic: An Imitation
- Autumn: A Dirge
- Summer And Winter
- Fragment: ‘O Thou Immortal Deity'
- Marenghi
- The Birth Of Pleasure
- To —.' Yet Look On Me.'
- Mutability
- To William Shelley
- The Tower Of Famine
- Lines: ‘That Time is Dead For Ever'
- Fragment: The Vine-Shroud
- Fragment: ‘My Head Is Wild With Weeping'
- Fragments Written For Hellas
- Epithalamium
- The Pine Forest Of The Cascine Near Pisa
- The Cloud
- Fragment On Keats
- National Anthem
- Lines: ‘The Cold Earth Slept Below'
- Ode To Naples (Strophe 1)
- Ode To Naples (Epode 2a)
- The Isle
- A Vision Of The Sea
- From The Original Draft Of The Poem To William Shelley
- To The Moon
- Ode to the West Wind
- Lines Written In The Bay Of Lerici
- Fragment: Music And Sweet Poetry
- Fragment: Apostrophe To Silence
- Fragment: Pater Omnipotens
- On Fanny Godwin
- Death
- To Emilia Viviani
- Liberty
- To Jane: ‘The Keen Stars Were Twinkling'
- To Edward Williams
- Fragment: ‘The Rude Wind Is Singing'
- To Mary Shelley II
- Ode To Liberty
- To Mary Wollstonecraft Godwin
- Lines To A Reviewer
- Fragment: “Amor Aeternus'
- An Exhortation
- Fragment: ‘Methought I Was A Billow In The Crowd'
- Fragment: ‘The Viewless And Invisible Consequence'
- Invocation To Misery
- Lines Written On Hearing The News Of The Death Of Napoleon
- To Sophia
- Variation Of The Song Of The Moon
- Stanzas 1 And 2
- The Question
- The Zucca
- Fragment: ‘The Death Knell Is Ringing'
- A Hate-Song
- Another Fragment: To Music
- The Woodman And The Nightingale
- Song To The Men Of England
- The Past
- Ode To Naples (Epode 1b)
- Fragment: ‘A Gentle Story Of Two Lovers Young'
- Love, Hope, Desire, And Fear
- Song For ‘Tasso'
- Fragment: To One Singing
- To The Nile
- Fragment: Wedded Souls
- Ode To Naples (Epode 2b)
- Otho
- ‘Mighty Eagle'
- Hymn Of Apollo
- The Sensitive Plant Part I
- Similes For Two Political Characters Of 1819
- Lines To A Critic
- To Jane: The Recollection
- Cancelled Stanza
- Fragment: ‘When Soft Winds And Sunny Skies'
- To William Shelley III
- Fragment: Home
- To-Morrow
- Fragment: Beauty's Halo
- Mutability II (The flower that smiles today...)
- Stanza, Written At Bracknell
- An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
- Fragment: May The Limner
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