Cet album n'est pas certainement le premier de sa carrière, nous voulons rappeler d'albums comme
The Complete Poetical Works Of Percy Bysshe Shelley Volume 1.
Les 186 chansons qui composent l'album ce sont les suivantes:
Voici une petite liste de chansons que Percy Bysshe Shelley pourrait décider de chanter, y compris l'album dont chaque chanson est tirée:
- On Death
- Fragment: Rain
- Time
- Good-Night
- Fragment: ‘I Stood Upon A Heaven-Cleaving Turret'
- To Sophia
- Fragment: The Vine-Shroud
- Mutability II (The flower that smiles today...)
- Evening: Ponte Al Mare, Pisa
- Cancelled Stanza
- To Mary Shelley
- Lines: ‘We Meet Not As We Parted'
- Fragment: Sufficient Unto The Day
- The Past
- Fragment: To A Friend Released From Prison
- Invocation To Misery
- To Harriet
- The Indian Serenade
- From The Arabic: An Imitation
- Ode To Naples (Strophe 1)
- Sonnet To Byron
- Stanzas Written In Dejection, Near Naples
- The Sensitive Plant Part II
- Fragment: ‘Great Spirit'
- Ode To Liberty
- Marenghi
- Orpheus
- Fragment: Love's Tender Atmosphere
- Fragment: Zephyrus The Awakener
- Fragment: ‘Follow To The Deep Wood's Weeds'
- Otho
- Fragment: “Amor Aeternus'
- Time Long Past
- Fragment: Death In Life
- Fragment: Apostrophe To Silence
- Fragment: To The People Of England
- The Pine Forest Of The Cascine Near Pisa
- Ode To Naples (Antistrophe 1b)
- Fragments Written For Hellas
- Ode To Naples (Antistrophe 2a)
- Lines To A Critic
- Fragment: ‘Methought I Was A Billow In The Crowd'
- Ode To Naples (Epode 2b)
- Fragment Of A Satire On Satire
- Song To The Men Of England
- Lines Written In The Bay Of Lerici
- The Tower Of Famine
- On Fanny Godwin
- Ode To Naples (Antistrophe 2b)
- Fragment: ‘And That I Walk Thus Proudly Crowned'
- Lines Written During The Castlereagh Administration
- To The Lord Chancellor
- Remembrance
- The Woodman And The Nightingale
- Fragment: May The Limner
- Fragment: The Lake's Margin
- Love's Philosophy
- Sonnet: Political Greatness
- Fiordispina
- A Fragment: To Music
- Another Fragment: To Music
- The Sensitive Plant Part I
- To Edward Williams
- To Mary Shelley II
- Dirge For The Year
- Fragment: Beauty's Halo
- Arethusa
- Song Of Proserpine While Gathering Flowers On The Plain Of Enna
- Fragment: ‘A Gentle Story Of Two Lovers Young'
- Fragment: Pater Omnipotens
- Fragment: ‘Alas! This Is Not What I Thought Life Was'
- A Lament
- Similes For Two Political Characters Of 1819
- Lines Written Among The Euganean Hills
- A Hate-Song
- To Mary —
- Fragment: “Igniculus Desiderii'
- Mutability
- Fragment: ‘The Rude Wind Is Singing'
- To The Moon
- Hymn Of Pan
- To Emilia Viviani
- The Boat On The Serchio
- Fragment: ‘O Thou Immortal Deity'
- Fragment: Life Rounded With Sleep
- Stanza, Written At Bracknell
- Ode To Naples (Epode 1a)
- Fragment: ‘I Faint, I Perish With My Love!'
- Buona Notte
- With A Guitar, To Jane
- Song
- The World's Wanderers
- To-Morrow
- On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
- To Constantia
- Stanzas.—April, 1814
- Epitaph
- Ode to the West Wind
- To William Shelley
- ‘O That A Chariot Of Cloud Were Mine'
- To —. ‘Oh! There are Spirits of The Air'
- Fragment: To Byron
- Autumn: A Dirge
- From The Original Draft Of The Poem To William Shelley
- Fragment: Love The Universe To-Day
- The Cloud
- Fragment: A Wanderer
- Fragment: Thoughts Come And Go In Solitude
- The Isle
- Fragment: ‘Ye Gentle Visitations Of Calm Thought'
- Fragment: A Serpent-Face
- Fragment: Wedded Souls
- The Sensitive Plant Part III
- Liberty
- Fragment: Music And Sweet Poetry
- Fragment: ‘The Viewless And Invisible Consequence'
- Fragment: Home
- To William Shelley II
- Fragment: To The Moon
- Death
- Fragment: ‘Unrisen Splendour Of The Brightest Sun'
- ‘Mighty Eagle'
- The Magnetic Lady To Her Patient
- National Anthem
- Fragment: ‘When Soft Winds And Sunny Skies'
- To —.' Yet Look On Me.'
- A Vision Of The Sea
- Love, Hope, Desire, And Fear
- Lines: ‘That Time is Dead For Ever'
- Hymn Of Apollo
- Lines: ‘The Cold Earth Slept Below'
- Hymn To Intellectual Beauty
- On A Faded Violet
- Fragment: The False Laurel And The True
- To Jane: ‘The Keen Stars Were Twinkling'
- Lines To A Reviewer
- Epithalamium
- The Fugitives
- Fragment: To One Singing
- The Zucca
- The Two Spirits: An Allegory
- Song For ‘Tasso'
- To A Skylark
- Sonnet (Lift not the painted veil...)
- Scene From ‘Tasso'
- Fragments Supposed To Be Parts Of Otho
- The Birth Of Pleasure
- The Waning Moon
- To Jane: The Recollection
- An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
- Fragment: The Deserts Of Dim Sleep
- Ode To Naples (Epode 1b)
- Fragment: ‘The Death Knell Is Ringing'
- Summer And Winter
- Variation Of The Song Of The Moon
- An Allegory
- Ode To Naples (Strophe 2)
- An Exhortation
- Cancelled Passage
- The Aziola
- Stanzas 1 And 2
- Music
- Ode To Naples (Epode 2a)
- Fragment: The Lady Of The South
- Fragment: To The Mind Of Man
- Lines Written On Hearing The News Of The Death Of Napoleon
- Fragment: ‘I Would Not Be A King'
- Fragment On Keats
- Ozymandias
- Fragment: Satan Broken Loose
- A Summer Evening Churchyard
- To Constantia, Singing
- To The Nile
- The Question
- To Jane: The Invitation
- Fragment: Milton's Spirit
- Ode To Naples (Antistrophe 1a)
- Ginevra
- The Sunset
- Marianne's Dream
- Fragment: ‘Such Hope, As Is The Sick Despair Of Good'
- Lines: ‘When The Lamp Is Shattered'
- Passage Of The Apennines
- To Mary Wollstonecraft Godwin
- To William Shelley III
- Fragment: ‘My Head Is Wild With Weeping'
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