Cet album n'est pas certainement le premier de sa carrière, nous voulons rappeler d'albums comme
The Complete Poetical Works Of Percy Bysshe Shelley Volume 1.
Les 186 chansons qui composent l'album ce sont les suivantes:
Voici une petite liste de chansons que Percy Bysshe Shelley pourrait décider de chanter, y compris l'album dont chaque chanson est tirée:
- On Death
- The Birth Of Pleasure
- Fragment: Pater Omnipotens
- Ode To Naples (Antistrophe 2a)
- Music
- A Summer Evening Churchyard
- Liberty
- Fragment: ‘I Stood Upon A Heaven-Cleaving Turret'
- Fragment: ‘My Head Is Wild With Weeping'
- Fragment: Death In Life
- To William Shelley
- The Pine Forest Of The Cascine Near Pisa
- Lines: ‘We Meet Not As We Parted'
- Fragment: Sufficient Unto The Day
- With A Guitar, To Jane
- To —.' Yet Look On Me.'
- Ode To Naples (Epode 1b)
- Ode to the West Wind
- The Aziola
- The Sensitive Plant Part III
- Fragment: The Lake's Margin
- The Question
- Fragment: To A Friend Released From Prison
- The Tower Of Famine
- Stanza, Written At Bracknell
- A Lament
- Song
- To Constantia, Singing
- Fragment: The Deserts Of Dim Sleep
- Lines Written In The Bay Of Lerici
- The Cloud
- Fragment: Life Rounded With Sleep
- Death
- Fragment On Keats
- Fragment: Love's Tender Atmosphere
- Fragment: “Amor Aeternus'
- Fiordispina
- Lines: ‘When The Lamp Is Shattered'
- Fragment: ‘Ye Gentle Visitations Of Calm Thought'
- Arethusa
- Fragment: Apostrophe To Silence
- Sonnet To Byron
- To William Shelley III
- Passage Of The Apennines
- To The Nile
- Mutability
- Fragment: Beauty's Halo
- Stanzas Written In Dejection, Near Naples
- Fragment: Milton's Spirit
- The Waning Moon
- To Jane: ‘The Keen Stars Were Twinkling'
- The Boat On The Serchio
- Hymn Of Pan
- The Zucca
- Lines To A Reviewer
- Epithalamium
- An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
- Fragment: ‘Methought I Was A Billow In The Crowd'
- Ode To Naples (Epode 1a)
- Fragment: Thoughts Come And Go In Solitude
- Fragment: The Lady Of The South
- To Emilia Viviani
- ‘Mighty Eagle'
- To Harriet
- Variation Of The Song Of The Moon
- Fragment: ‘Alas! This Is Not What I Thought Life Was'
- Fragment: The False Laurel And The True
- Ozymandias
- To —. ‘Oh! There are Spirits of The Air'
- Fragment: ‘When Soft Winds And Sunny Skies'
- Fragments Supposed To Be Parts Of Otho
- Fragment: ‘Unrisen Splendour Of The Brightest Sun'
- Fragment: Wedded Souls
- Scene From ‘Tasso'
- Epitaph
- Lines Written Among The Euganean Hills
- Sonnet (Lift not the painted veil...)
- To Mary Wollstonecraft Godwin
- Lines: ‘That Time is Dead For Ever'
- The Magnetic Lady To Her Patient
- The Fugitives
- Fragment: ‘O Thou Immortal Deity'
- Hymn Of Apollo
- Summer And Winter
- ‘O That A Chariot Of Cloud Were Mine'
- Lines Written On Hearing The News Of The Death Of Napoleon
- Fragment: May The Limner
- Similes For Two Political Characters Of 1819
- Marenghi
- Time
- Fragment: Satan Broken Loose
- An Allegory
- Remembrance
- A Fragment: To Music
- Fragment: ‘Such Hope, As Is The Sick Despair Of Good'
- Sonnet: Political Greatness
- Fragment: To One Singing
- The Past
- To Mary Shelley
- Fragment: Home
- National Anthem
- Ode To Naples (Epode 2a)
- Ode To Liberty
- The Sunset
- To The Moon
- On A Faded Violet
- Fragment: A Serpent-Face
- Fragment: ‘I Faint, I Perish With My Love!'
- To William Shelley II
- Mutability II (The flower that smiles today...)
- Good-Night
- The Sensitive Plant Part I
- Fragments Written For Hellas
- Lines Written During The Castlereagh Administration
- Ode To Naples (Epode 2b)
- Fragment: Rain
- Fragment: ‘The Viewless And Invisible Consequence'
- Song Of Proserpine While Gathering Flowers On The Plain Of Enna
- Stanzas 1 And 2
- Hymn To Intellectual Beauty
- The Woodman And The Nightingale
- Ode To Naples (Antistrophe 2b)
- To Constantia
- The Two Spirits: An Allegory
- Fragment: To Byron
- Fragment Of A Satire On Satire
- Love, Hope, Desire, And Fear
- Ode To Naples (Strophe 1)
- A Vision Of The Sea
- Fragment: Music And Sweet Poetry
- Lines: ‘The Cold Earth Slept Below'
- Fragment: ‘Follow To The Deep Wood's Weeds'
- To Jane: The Recollection
- Fragment: The Vine-Shroud
- Ode To Naples (Antistrophe 1b)
- Song For ‘Tasso'
- From The Arabic: An Imitation
- Marianne's Dream
- Stanzas.—April, 1814
- Fragment: ‘The Rude Wind Is Singing'
- Time Long Past
- Fragment: Love The Universe To-Day
- Fragment: To The People Of England
- Ode To Naples (Antistrophe 1a)
- Orpheus
- Otho
- Fragment: A Wanderer
- To The Lord Chancellor
- Evening: Ponte Al Mare, Pisa
- To A Skylark
- From The Original Draft Of The Poem To William Shelley
- To Mary —
- The Isle
- Lines To A Critic
- Song To The Men Of England
- Dirge For The Year
- To Jane: The Invitation
- To Sophia
- Love's Philosophy
- To Mary Shelley II
- Invocation To Misery
- Fragment: ‘A Gentle Story Of Two Lovers Young'
- On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
- Buona Notte
- Fragment: Zephyrus The Awakener
- Fragment: “Igniculus Desiderii'
- Ginevra
- Fragment: ‘Great Spirit'
- To-Morrow
- Fragment: ‘I Would Not Be A King'
- The World's Wanderers
- Autumn: A Dirge
- To Edward Williams
- A Hate-Song
- Another Fragment: To Music
- Cancelled Passage
- Fragment: ‘The Death Knell Is Ringing'
- Fragment: ‘And That I Walk Thus Proudly Crowned'
- On Fanny Godwin
- The Indian Serenade
- Cancelled Stanza
- An Exhortation
- Fragment: To The Mind Of Man
- Ode To Naples (Strophe 2)
- Fragment: To The Moon
- The Sensitive Plant Part II
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