Informations sur l'album The Complete Poetical Works Of Percy Bysshe Shelley Volume 2 de Percy Bysshe Shelley
Percy Bysshe Shelleya finalement rendu publique Dimanche 14 Juin 2026 son nouvel album, appelé The Complete Poetical Works Of Percy Bysshe Shelley Volume 2.
Cet album n'est pas certainement le premier de sa carrière, nous voulons rappeler d'albums comme The Complete Poetical Works Of Percy Bysshe Shelley Volume 1.
Les 186 chansons qui composent l'album ce sont les suivantes:
Voici une petite liste de chansons que Percy Bysshe Shelley pourrait décider de chanter, y compris l'album dont chaque chanson est tirée:
- On Death
- With A Guitar, To Jane
- To Jane: The Recollection
- Lines Written In The Bay Of Lerici
- Fragment: Satan Broken Loose
- The Indian Serenade
- Fragment: ‘Ye Gentle Visitations Of Calm Thought'
- Song For ‘Tasso'
- A Fragment: To Music
- To Mary Shelley II
- Fragment: Pater Omnipotens
- Fragment: Life Rounded With Sleep
- Fragment: A Serpent-Face
- The Fugitives
- Fragment: To The Moon
- Epitaph
- Autumn: A Dirge
- Fragment: The False Laurel And The True
- The Isle
- Fragment: ‘I Faint, I Perish With My Love!'
- Fragment: ‘When Soft Winds And Sunny Skies'
- The World's Wanderers
- Love's Philosophy
- A Hate-Song
- Fragment: ‘Methought I Was A Billow In The Crowd'
- Variation Of The Song Of The Moon
- Ode to the West Wind
- Lines To A Critic
- Fragment: ‘The Viewless And Invisible Consequence'
- Fragment: ‘And That I Walk Thus Proudly Crowned'
- ‘Mighty Eagle'
- Dirge For The Year
- Time
- To William Shelley
- Ode To Naples (Epode 1a)
- To Jane: The Invitation
- Love, Hope, Desire, And Fear
- Lines To A Reviewer
- ‘O That A Chariot Of Cloud Were Mine'
- Fragment On Keats
- The Birth Of Pleasure
- The Question
- An Exhortation
- Summer And Winter
- Ode To Liberty
- To Mary —
- Fragment: Love The Universe To-Day
- Fragment: To The People Of England
- To Jane: ‘The Keen Stars Were Twinkling'
- Fragment: Music And Sweet Poetry
- Fragment: The Lady Of The South
- Ozymandias
- Scene From ‘Tasso'
- Another Fragment: To Music
- To —.' Yet Look On Me.'
- To Mary Wollstonecraft Godwin
- Fragment: Milton's Spirit
- Fragment: ‘I Stood Upon A Heaven-Cleaving Turret'
- Fiordispina
- Hymn Of Pan
- Lines Written Among The Euganean Hills
- From The Arabic: An Imitation
- Song
- Fragment: ‘The Death Knell Is Ringing'
- Stanza, Written At Bracknell
- Fragment: To Byron
- Fragment: ‘Such Hope, As Is The Sick Despair Of Good'
- Mutability II (The flower that smiles today...)
- Ode To Naples (Antistrophe 2b)
- Fragment: ‘The Rude Wind Is Singing'
- Liberty
- Fragment: “Igniculus Desiderii'
- Sonnet: Political Greatness
- Fragment: A Wanderer
- The Sensitive Plant Part III
- To Edward Williams
- On A Faded Violet
- The Two Spirits: An Allegory
- Fragment: ‘Great Spirit'
- Hymn Of Apollo
- Lines: ‘That Time is Dead For Ever'
- To A Skylark
- Fragment: The Lake's Margin
- Fragment: Home
- Stanzas Written In Dejection, Near Naples
- Lines: ‘We Meet Not As We Parted'
- Fragments Written For Hellas
- Ode To Naples (Antistrophe 1a)
- Hymn To Intellectual Beauty
- Fragment: Thoughts Come And Go In Solitude
- To Constantia, Singing
- Ode To Naples (Antistrophe 2a)
- The Zucca
- The Magnetic Lady To Her Patient
- Evening: Ponte Al Mare, Pisa
- Epithalamium
- Ode To Naples (Strophe 1)
- Fragment: Apostrophe To Silence
- Time Long Past
- Mutability
- Remembrance
- Song To The Men Of England
- On Fanny Godwin
- Fragment: Wedded Souls
- Fragment: ‘A Gentle Story Of Two Lovers Young'
- Good-Night
- Invocation To Misery
- Fragment: The Deserts Of Dim Sleep
- To The Moon
- To —. ‘Oh! There are Spirits of The Air'
- A Vision Of The Sea
- Cancelled Passage
- Ode To Naples (Strophe 2)
- Death
- Ode To Naples (Epode 2a)
- Stanzas.—April, 1814
- To Constantia
- Sonnet To Byron
- A Summer Evening Churchyard
- The Sunset
- To William Shelley III
- The Woodman And The Nightingale
- Fragment Of A Satire On Satire
- The Cloud
- The Pine Forest Of The Cascine Near Pisa
- Buona Notte
- Cancelled Stanza
- Orpheus
- Fragment: ‘I Would Not Be A King'
- Fragment: ‘My Head Is Wild With Weeping'
- An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
- Fragments Supposed To Be Parts Of Otho
- Fragment: Sufficient Unto The Day
- The Boat On The Serchio
- Lines Written On Hearing The News Of The Death Of Napoleon
- To Sophia
- Otho
- Sonnet (Lift not the painted veil...)
- Arethusa
- Marenghi
- Fragment: “Amor Aeternus'
- Passage Of The Apennines
- To William Shelley II
- Similes For Two Political Characters Of 1819
- An Allegory
- Fragment: Beauty's Halo
- Marianne's Dream
- The Waning Moon
- Fragment: Rain
- To Mary Shelley
- Fragment: ‘Unrisen Splendour Of The Brightest Sun'
- The Sensitive Plant Part II
- Ode To Naples (Epode 1b)
- Fragment: Love's Tender Atmosphere
- Fragment: May The Limner
- The Sensitive Plant Part I
- The Aziola
- Lines: ‘The Cold Earth Slept Below'
- On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
- Fragment: ‘Alas! This Is Not What I Thought Life Was'
- Fragment: ‘O Thou Immortal Deity'
- Fragment: To The Mind Of Man
- National Anthem
- The Tower Of Famine
- Ode To Naples (Epode 2b)
- The Past
- Lines Written During The Castlereagh Administration
- Ginevra
- Fragment: Zephyrus The Awakener
- Fragment: ‘Follow To The Deep Wood's Weeds'
- To The Nile
- Fragment: Death In Life
- Song Of Proserpine While Gathering Flowers On The Plain Of Enna
- Lines: ‘When The Lamp Is Shattered'
- Fragment: To A Friend Released From Prison
- To The Lord Chancellor
- Music
- To-Morrow
- Ode To Naples (Antistrophe 1b)
- Fragment: To One Singing
- Fragment: The Vine-Shroud
- To Emilia Viviani
- From The Original Draft Of The Poem To William Shelley
- Stanzas 1 And 2
- A Lament
- To Harriet
